Original PDF Flash format [file:-maintenance-art-manifesto-1969  


[file: Maintenance Art Manifesto 1969












M A N I F E S T O

FOR MAINTENANCE ART 1969!


Proposal for an exhibition “CARE”



MIERLE LADERMAN UKELES

______________________________________________________________


I. IDEAS


A. The Death Instinct and the Life Instinct:

The Death Instinct: separation; individuality; Avant-Garde
par excellence; to follow one’s own path to death—do your
own thing; dynamic change.

The Life Instinct: unification; the eternal return; the
perpetuation and MAINTENANCE of the species; survival

systems and operations; equilibrium.





B. Two basic systems: Development and Maintenance. The sourball
of every revolution: after the revolution, who’s going
to pick up the garbage on Monday morning?

Development: pure individual creation; the new; change;
progress; advance; excitement; flight or fleeing.

Maintenance: keep the dust off the pure individual
creation; preserve the new; sustain the change;

protect progress; defend and prolong the advance;
renew the excitement; repeat the flight;

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MAINTENANCE ART



show your work—show it again
keep the contemporaryartmuseum groovy

keep the home fires burning

Development systems are partial feedback systems with major

room for change.
Maintenance systems are direct feedback systems with little
room for alteration.





C. Maintenance is a drag; it takes all the fucking time (lit.)


The mind boggles and chafes at the boredom.


The culture confers lousy status on maintenance jobs =


minimum wages, housewives = no pay.



clean you desk, wash the dishes, clean the floor,


wash your clothes, wash your toes, change the baby’s


diaper, finish the report, correct the typos, mend the


fence, keep the customer happy, throw out the stinking


garbage, watch out don’t put things in your nose, what


shall I wear, I have no sox, pay your bills, don’t


litter, save string, wash your hair, change the sheets,


go to the store, I’m out of perfume, say it again—


he doesn’t understand, seal it again—it leaks, go to


work, this art is dusty, clear the table, call him again,


flush the toilet, stay young.



D. Art:


Everything I say is Art is Art. Everything I do is

Art is Art. “We have no Art, we try to do everything

well.” (Balinese saying).





Avant-garde art, which claims utter development, is infected
by strains of maintenance ideas, maintenance activities,
and maintenance materials.
Conceptual & Process art, especially, claim pure development
and change, yet employ almost purely maintenance processes.



E.
The exhibition of Maintenance Art, “CARE,” would zero in

on pure maintenance, exhibit it as contemporary art, and

yield, by utter opposition, clarity of issues.


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MAINTENANCE ART




II. THE MAINTENANCE ART EXHIBITION: “CARE”


Three parts: Personal, General, and Earth Maintenance.



A.
Part One: Personal




I am an artist. I am a woman. I am a wife.


I am a mother. (Random order).



I do a hell of a lot of washing, cleaning, cooking,


renewing, supporting, preserving, etc. Also,


(up to now separately I “do” Art.



Now, I will simply do these maintenance everyday things,

and flush them up to consciousness, exhibit them, as Art.

I will live in the museum and I customarily do at home with

my husband and my baby, for the duration of the exhibition.

(Right? or if you don’t want me around at night I would
come in every day) and do all these things as public Art


activities: I will sweep and wax the floors, dust everything,


wash the walls (i.e. “floor paintings, dust works, soap-


sculpture, wall-paintings”) cook, invite people to eat,

make agglomerations and dispositions of all functional

refuse.



The exhibition area might look “empty” of art, but it will be


maintained in full public view.


MY WORKING WILL BE THE WORK



B.
Part Two: General




Everyone does a hell of a lot of noodling maintenance work. The


general part of the exhibition would consist of interviews of two kinds.



1.
Previous individual interviews, typed and exhibited.




Interviewees come from, say, 50 different classes and kinds



of occupations that run a gamut from maintenance “man,”



maid, sanitation “man,” mail “man,” union “man,” construction



worker, librarian, grocerystore “man,” nurse, doctor, teacher,






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MAINTENANCE ART




museum director, baseball player, sales”man,” child, criminal,


bank president, mayor, moviestar, artist, etc., about:”





-what you think maintenance is;



-how you feel about spending whatever parts of your



life you spend on maintenance activities;



-what is the relationship between maintenance and


freedom;



-what is the relationship between maintenance and


life’s
dreams.



2.
Interview Room—for spectators at the Exhibition:



A room of desks and chairs where professional (?) interviewers


will interview the spectators at the exhibition along same questions


as typed interviews. The responses should be personal.



These interviews are taped and replayed throughout the exhibition

area.




C.
Part Three: Earth Maintenance


Everyday, containers of the following kinds of refuse will be delivered

to the Museum:



-the contents of one sanitation truck;



-a container of polluted air;



-a container of polluted Hudson River;



-a container of ravaged land.


Once at the exhibition, each container will be serviced:


purified, de-polluted, rehabilitated, recycled, and conserved

by various technical (and / or pseudo-technical) procedures either
by myself or scientists.

These servicing procedures are repeated throughout the duration of the
exhibition.